The Flash S2E1 Review

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Yesterday, the first episode of The Flash Season 2 aired. I loved the first season, but did the second season hold up?

So far, not really.

Sure, it was a good episode. Zoom was teased well, and there were some funny moments (Flash Signal anyone?).But I just felt like it was a bit.. so-so. There wasn’t anything that stood out especially. It just felt a little slow, like it was reintroducing all the characters and concepts for a new audience. And while I was excited for the show to get a bit darker, Barry suffering from survivor’s guilt was already done in basically every superhero movie or show ever. The dialogue in the first scene was atrocious, with Cold acting hammier than normal, and Firestorm’s “whoo-hoo” before flying away was pretty dumb, so I was really glad when that turned out to be a dream. Also, and I don’t mean to sound cynical, but I hated all the teamwork in this episode. Everyone was just chiming in, offering suggestions, it felt weird. I think the team should be cut back a bit. Iris doesn’t contribute anything meaningful, Caitlin is sort of redundant what with Cisco and Stein both being a part of the team, and Joe doesn’t always need to be present. Personally, I’m ready for Caitlin to become Killer Frost if it means her not being a part of the team anymore. Nothing against the character, I’m partial to superheroes not having a big support staff, as eventually not everyone gets the amount of character development they deserve. As for the show’s villain, Atom Smasher, I don’t think they really did justice with him. I can accept them making him a villain, but did he need to be such a one-dimensional villain? He was just smashing things and punching people, and then it wasn’t until he died that he showed any real personality. If they hired a half-decent actor, or, y’know, an actual actor at all, I would have been happier. Adam Copeland literally said in an interview that Atom Smasher wouldn’t just be a mindless, destructive villain and that he’d have layers and character depth. Which he didn’t. All of this, though, pales in comparison to the worst part of the episode: Henry’s departure. It was so forced, so nonsensical. Henry leaves his son who has spent his entire life trying to save his father, for reasons that aren’t really expanded on at all. It’s something about not thinking Barry can be the Flash when Henry’s in his life, which doesn’t make since Joe’s been as much as a father as Henry, and Barry functions just fine with Joe.

Now that that’s all over with, let’s focus on the good parts of the episode. There was definitely good comedic parts, such as the Flash Signal and Martin Stein’s naming of Atom Smasher. Jay Garrick’s appearance was cool and sort of subtle. Instead of popping out of a portal like I expected, he just walks up to them, leaving more mystery of exactly how he got here and how long he’s been here to be explored later. Speaking of that, it was a good call not throwing Earth-2 into the ring right off the bat (Sorry for the mixed metaphor). Atom Smasher’s identical (dead) duplicate created some mystery for the casual viewer, and Atom Smasher just saying that Zoom promised to send him home leaves a lot open to be explained later. Firestorm’s sacrifice was well done, though he is quite possibly still alive, on another world. Martin Stein blends seamlessly into the team, and his interactions with Cisco were funny. Iris is somewhat less annoying than last season, but it still the second worst female character, after Felicity from Arrow (Not counting Gotham, since nobody does). Cisco seeing into another dimension when Atom Smasher first appears further teases his super powers, and will no doubt become essential to defeating characters from Earth-2. Finally, Eobard Thawne’s speech at the end of the episode was delightfully creepy. Giving Barry the thing he wants most in the world, knowing that it will be taken away shortly after, was a memorable scene. Frankly, I was almost a hundred percent sure that Henry was going to die right before he can be exonerated, which I feel would have been better than him leaving for no real reason. All in all, I’d give the episode a 7/10. It seemed slow and kind of boring, but there were enough good or emotional moments to save it.

On a side note, sorry for not updating my Fantastic Four post in a while. I’m still fine-tuning some details (That’s code for being lazy). I’ll try to finish it soon, though.

Fantastic Four Pitch Part Three Complete

This is the third and final part of my Fantastic Four pitch. Previously, I talked about the cast and crew, but today I’m talking about the plot. This is still a rough outline, but here we go.

The movie opens with a young Reed Richards getting bullied in school. He is saved by Ben Grimm. Later, Reed and Ben are friends, and Reed is showing Ben his teleportation device. Reed teleports a toy car into the Negative Zone, creating a black out. Weeks later, Reed is at a Science Fair and teleports a toy plane to the Negative Zone. A government agent name William Lumpkin sees Reed, and calls his superiors, telling them that he found a potential recruit. Lumpkin recruits Reed into the Baxter Program, where he meets Sue Storm, a geneticist, and Johnny Storm, an engineer. Together, they work on a manned teleportaton device, under the supervision of Sue and Johnny’s dad Franklin Storm, geneticist Harvey Elder, and Agent Lumpkin. Reed and Sue begin a romance. Eventually, the teleporter is complete, and Ben Grimm, now a soldier, is tasked with coming along to guard Reed, Sue, and Johnny in the Negative Zone. The four travel to the Negative Zone, onto a large, green, rocky planet with other planets, stars, and moons floating above it. The four of them explore the planet until they see a large rock slide. They run from the rock slide and are scattered. As they each wander, separated, green cosmic rays start raining from the sky, destroying the ground and creating large explosions. The four meet back up at the teleporter, as they see the sky glow green as cosmic rays approach the planet. They quickly go into the teleporter, and activate it as the cosmic rays hit their machine. Johnny is set on fire, Sue briefly turns invisible, Ben is hit with meteorites, and Reed’s body contorts and stretches as it is hit with energy. The teleporter activates, and they reappear in the Baxter Building, as a wave of energy creates a blackout and releases an energy wave that destroys the room and shatters the building. Later, the four wake up. They are under examination in the Baxter Building. Reed can know stretch indefinitely. Sue can turn invisible and create force fields. Johnny can turn into flames. Finally, Ben is now a mutated rock creature. When Ben discovers that Reed is responsible, he tries to kill Reed, in a fight that ends with Sue separating them with a force field. Meanwhile, the damaged teleportation device is being brought to Washington, D.C. in a helicopter, under the orders of the agency that Agent Lumpkin works for. The helicopter is attacked by a Doombot, that kills the guards, and damages the helicopter, causing it to crash into the sewer system. In the sewers, a portal opens up. In the Baxter Building, Dr. Elder is experimenting on the four, to the chagrin of Franklin Storm. Agent Lumpkin and several soldiers are in the sewers, investigating the portal in the sewers, when a giant monster emerges from it. The monster kills the soldiers, and Agent Lumpkin flees from it. The Monster rampages through New York City. In the Baxter Building, Reed, Sue, Johnny, and Ben see the Monster, and break out of the building to fight it. Johnny discovers that he can fly, and together they fight the Monster, as it lumbers towards a nuclear power plant.

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Eventually, the Monster reaches the Nuclear Power Plant, and begins to destroy it, risking a nuclear explosion. Eventually, Johnny is able to create a powerful flame explosion, killing the Monster. Spectators cheer for the four, and when asked their name, Johnny comes up with the Fantastic Four on the spot. Seeing this, Agent Lumpkin decides that the four should be trained to fight for the government, which Dr. Elder supports and Franklin Storm disagrees with, They start to be trained, and develop their powers together. They slowly become friends, and Reed and Sue start to date. In the country of Latveria, a general is brought before a hooded figure. The general was ordered to bring back the Teleportation Device, but it was destroyed instead. The hooded figure tells the general that when he was a child, his father made him memorize his ancestry, dating back to Vlad III. Doing this reinforced the fact that he was of royal blood, and he deserves to rule Latveria. The hooded figure turns to the General, revealing his metal mask, and introducing himself as Victor Von Doom. Doctor Doom then disintegrates the General. In the Baxter Building, the four are designing new suits. Sue designs them so they are attuned to the four’s powers, meaning Johnny’s suit cannot burn, Reed’s can stretch as far as he can, Ben’s can resist enormous strain and damage, and Sue’s can turn invisible with her. Johnny adds the detail of the number four to their suits and begins working on code names. Reed is working on a security system consisting of miniature flying robots that drain electricity, called Humanoid Experimental Robot, B-Type, Integrated Electronics, or HERBIE. After the defeat of the Monster, they are now loved by the public, and Thing meets Alicia Masters, a blind woman who takes an interest in him. Agent Lumpkin then tells them that the country of Latveria is led by the unstable dictator Victor Von Doom, who poses an immense threat to the rest of the world with his advanced technology. The four are sent to Latveria in a stealth mission to apprehend Dr. Doom. They get past a large wall surrounding the city, take out the guards to Dr. Doom’s castle, and try to defeat Dr. Doom. Believing that they will win easily, the Fantastic Four are surprised when they realize that Dr. Doom’s armor contains powerful technology, and it allows him to project energy beams, fly, and create forcefields, as well as augmenting his strength, speed, and durability. His suit also contains a personal forcefield that neutralizes most attacks. Dr. Doom defeats Reed and Johnny by breaking a pipe of liquid nitrogen, freezing them, and overpowers Ben and Sue. When the four wake up, they are imprisoned underneath Doom’s castle in forcefields, and Doom taunts them, while explaining his motivations. There is a flashback of Doom’s backstory: His mother, a Latverian noblewoman, was murdered by a thief. Doom’s father, Werner Von Doom, raised Doom, but was cold and relentless, and forced him to memorize his heritage. Every night, Doom had to list all of his ancestors, starting with Vlad III. When Doom grew older, he killed his father, and went to a college in America. He became a technological genius, and swore that one day he would bring peace and prosperity to the corrupt nation of Latveria. Eventually, Doom creates a device he believes can contact the afterlife, so he can communicate with his mother. When activated, he briefly sees a ball of fire through the portal, before it explodes, scarring his face. The scarred Victor goes on a journey to the mountains of Latveria, where he encounters a group of monks, who train him in the spiritual ways, and make him a metal mask to hide his scars. Doom then builds an advanced suit of armor and kills the current leader of Latveria. He takes over, and pronounces himself Doctor Doom. In the present day, Doom finishes recounting his story. He tells the Fantastic Four that their abilities come from another dimension, and they could yield useful information if they are experimented on, so he will keep them alive. Doom then leaves to go to his laboratory and leaves his guards as well as four Doombots behind to watch over the Fantastic Four. Though the Four seem defeated, Reed manage to escape by releasing several tiny HERBIE robots, that drain the power from the forcefields, freeing them. The Fantastic Four defeat Doom’s forces, then flee the country into a forest, where they are surrounded by soldiers. However, they are rescued by Agent Lumpkin and other soldiers in jets who fight off the soldiers and fly the Fantastic Four back to the U.S. Dr. Doom watches the fleeing jet from his laboratory, then turns to rows and rows of Doombots on the wall. In the Baxter Building, the Fantastic Four watch powerlessly as the world is overwhelmed with panic. Dr. Doom, angry at the United States’ intervention in Latveria, has begun spreading his reign to the bordering countries of Yugoslavia, Transylvania, and Symkaria. There are riots in Eastern Europe, and the U.N. is unsure of what to do, as they are afraid of Doom and his power. Meanwhile, Reed is trying to create a cure for Ben. Using a reverse-engineered Negative Zone teleporter, Reed tries to siphon the energy from Ben, which would hypothetically cure him. They begin the process, and soon Ben is starting to revert back to his normal form when suddenly Dr. Elder pulls the plug. Elder tells the four that the military is declaring full war against Latveria, and the Fantastic Four will lead the front lines. He wants them to be transported to a military facility immediately, where they’ll be cut off from their friends and family. Franklin Storm angrily disagrees, refusing to let his children fight in the middle of a war. The argument escalates until Elder has security takes away Franklin, as he walks away. Sue and Johnny run to him, Franklin turns to his children, and – BAM! A huge explosion tears through the building, killing Franklin, scarring Dr. Elder, and knocking out the Four, who Sue saves from the brunt of the blast with a hasty forcefield. The smoke clears, and Reed slowly gets up in the ruins of the room, along with the rest of the team. Reed sees that the power is down, so security (HERBIE Droids) won’t be able to help. He is interrupted, however, when an army of Doombots flies to the front of the of the hole. An outside shot shows that the building is entirely surrounded by the Doombots.The four go to battle with the Doombots throughout the building. They are separated and overwhelmed by the huge army. Each member of the four holds their own against the robots, but soon they start to be overcome. Doom speaks through one of the robots when it is choking Reed, taunting him for failing to kill him, and mockingly saying that Doom is smarter than Reed. Sue then rescues Reed, and Doom orders the robots to kill Sue quickly before she can defeat them, as she is the greatest threat. The robots swarm Sue, and she creates a forcefield that falters as she tries to hold them  off. She flashes back to her childhood with her dead father, including them playing together when she was a child, them standing at their mother’s grave, Sue being welcomed into the Baxter Building, and finally Dr. Storm’s dead body, and with a scream of rage Sue releases a forcefield wave that kills every Doombot in the building. She stumbles back from the effort. Suddenly, a soldier shoots a tranquilizer dart at her neck, knocking her out, and they do the same to Reed and Johnny. Ben withstands the darts, and charges at the soldiers, until they fire powerful electric rifles that knock him out. In Latveria, Doombots bring Dr. Doom the teleportation device. Doom begins experimenting with it, and announces that he with it he will be able to reach the afterlife and bring back him mother, and become the master of death. When the Four wake up, they are in a secure military facility. Dr. Elder, now scarred from the explosion caused by the Doombots, announces that after the death of Dr. Storm and the failed mission to kill Doom, the military has seized control of the project from the Agent Lumpkin’s agency, who were formerly in charge. The military announces that the Four will be shipped out ot Latveria in the front lines of an invasion force in one week. During that time, the Four are held captive in confinement. Agent Lumpkin talks to Elder, and asks if the Four could be given more freedom, but Elder believes that they are now the property of the military, and they serve for the rest of their lives. Agent Lumpkin is angry at that, and calls his agency, telling them to intervene. A mysterious figure on the other end of the phone says that they’re not able to go against the military, but they are working on something. Later, Sue is trying to escape with her forcefields but is unable. Lumpkin visits her and tells her she is unable to escape. Sue asks why they would let Elder treat them like this, and Lumpkin reveals that the agency that was formerly in charge of the Baxter Foundation had their control of the four given to Dr. Elder and the military, after the failed attempt to kill Dr. Doom. Until the four can prove that they don’t need to be held captive, the military will be in charge. Sue asks how they can prove this when they aren’t given a chance, and Lumpkin replies that they’ll have to think of something. He walks out of the room, but not before secretly giving Sue a key. Dr. Elder visits Reed in his containment cell. Reed begs to be released, but Elder refuse. Dr. Elder now hates Reed, for failing to kill Dr. Doom, which led to Elder’s face being scarred by the explosion. Reed angrily lunges at Elder, who uses an electrified Escrima stick to stun him, knocking him out. However, it is revealed that an invisible Sue snuck into the room, and she knocks out Elder and awakens Reed. They bust out Johnny and Ben and try to escape. However, Dr. Elder wakes up and activates an alarm. The building goes into lockdown, and the four are trapped inside. They fight their way down to the basement, where they steal a prototype hovercar, AKA the Fantasticar. Using it, they bust out of the building and fly away. Dr. Elder watches them fly angrily. In Latveria, Doctor Doom is still experimenting with the machine. He eventually manages to activate it, by supercharging it with Latveria’s entire electrical grid which is drawn into his suit and shot out into the machine. This powers the machine and connects his suit to it, which causes the machine to blast a beam of energy into the sky. This creates earthquakes and thunderstorms as the dimensional barrier is ripped open. As the Fantastic Four fly across the ocean in the Fantasticar, they are endangered by the thunderstorms and tidal waves caused by Doom. Human Torch maneuvers the ship to escape giant waves, and Reed realizes that the activation of the Negative Zone Transporter tore a hole in reality, and could destroy the world if kept open. The Fantasticar passes over Latveria, where they see the source of the disturbance: A giant beam of light coming out of Doom’s castle, creating a swirling vortex of storm clouds. As they watch, the vortex begins to suck things in, and buildings and streets are ripped apart and absorbed into the portal. Doom sees the four approaching through the window. He is not willing to let them stop his plan to bring back his mother. He unleashes a colossal army of Doombots after them. The Doombots tear apart the Fantasticar. Sue’s forcefield gets them safely down to ground, and they fight the Doombots. Dr. Doom watches as the four valiantly fight the army of robots. The portal grows wider and wider. Dr. Doom is drawing power from the portal, and he is connected to both it and the Doombots. His suit is connected to the portal, and he powers it while it powers his suit. The Four eventually fight their way to Doom, and begin to overpower him, until the forcefield rumbles and two of  the Negative Zone Monsters emerge. Torch and Sue fight the monsters, while Ben and Reed battle Doom. Torch is swallowed by a monster, but unleashes a supernova attack from the inside, killing it. Sue creates a giant forcefield blast that topples the other monster. Before they can join Reed and Ben in fighting Doom, they are swarmed by a mass of Doombots. Meanwhile, Doom has overpowered Ben due to his suit’s personal forcefields protecting him from harm. Reed tries to help Ben, but the Doombots swarm him and attack him. Doom offers to cure Ben if he works for him. He plants seeds of doubt in Ben’s mind, that Reed was a coward and a fool, who’s carelessness in building the device led to Thing being mutated. Doom tells Ben to work for him, and together they will create a utopian society, with peace, prosperity, and no death. Ben rejects this plan with one sentence: “It’s clobbering time!” Ben punches Doom back, briefly disorientating him. Ben charges at Doom, who blasts him back with a powerful energy beam. Doom is about to kill Ben, but Reed slingshots out of the mass of Doombots, and attacks Doom. Doom easily beats Reed, and throws him to the ground. Reed tries to reason with Dom, begging him to stop the portal that will destroy the world. But Doom has gone mad with power. He believes that once he reaches the afterlife, and gains power over life and death, he will be a god, and he can remake the destroyed world in his own image. Doom tells Reed that he has proven how much smarter he is, and that he has beaten them. “I was perfect. I have always been perfect. You were never perfect. Scrawny little effort of a man. I can recite my family tree through six hundred years and I can recite the correct superpositioning code. Even now. Even now. You never understood that science is an art, not a system. Modern science comes from Descartes, who said that the conquest of nature is achieved through measurement and number. Do you know how he came to that realization? He had a psychedelic experience with mushrooms in which an angel told him this was so.” Doom looks at the swirling mass of the portal, as the Doombots overwhelm and prepare to kill Johnny and Sue. Doom reaches out to the portal, as energy flickers between him and the portal. He begins to chant his bloodline, like his father taught him years ago. As he chants, Doom flies into the air, as the portal grows bigger and stronger, and white lightning traverses between Doom and the portal, connecting them. Through the portal, Doom sees a brief flicker of his mother, who is smiling sadly as they are separated by the portal. Suddenly, Reed turns to face Doom. “You know what? Maybe you are just a teeny bit smarter than me. But you didn’t account for this.” Out of his hand fly the HERBIE robots, that swarm Doom and begin draining the energy from his suit, which is connected on the portal. The portal fluctuates wildly as Doom screams in anger. Doom’s suit sparks and bursts with electricity, and the portal glows brighter as the image of Doom’s mother disappears. Reed turns to Doom, triumphant. Reed explains that the connection between the portal and Doom has been broken, and he can no longer control it. Without Doom’s control over the portal, it is slowly fading away. Doom rants at Reed. “No one rivals Doom! NO ONE! Doom is supreme! There is no power on earth, no intellect in all creation to equal Mine!” Reed interrupts. “Doom? Go to hell.” Reed then punches Doom in the face, sending him spiralling into the vortex. There is a burst of light and energy, as the portal collapses in on itself. There was a wave of energy that fills the screen with brightness. When Reed wakes up, he and the rest of the four are in hospital beds, surrounded by soldiers. They burst out, and prepare to fight their way out of the hospital. Suddenly, a man obscured by darkness walks in, escorted by Agent Lumpkin. He tells the Four not to be worried, that they are safe. Ben demands to know who he is. The man replies with “I am Nick Fury. Agent of SHIELD.” He walks out of the shadow, revealing his eyepatched face. Fury explains that SHIELD started the Baxter Foundation in the first place, but after their failure to kill Doom the government gave control of the four to the military and Dr. Elder. But now that the four has proven that they can be heroes by themselves, and the military failed to keep the Four contained, the government gave SHIELD control again, after firing Dr. Elder. SHIELD has decided that since the four have shown that they can fight crime and evil themselves, they will not be kept under as close supervision. Rather, they will be allowed to live in the Baxter Building themselves, bar a few SHIELD agents working as security, as well as Agent Lumpkin who stay there as their handler, of sorts. The Four agree, but Sue asks what SHIELD will need them for, now that Dr. Doom is dead. Fury replies that there is always some new danger, some rising threat, that must be fought. He tells the Four that even now, new dangers are stirring. There is strange activity under the sea, possibly caused by the Negative Zone Transporter’s disturbance of Earth’s oceans. The camera shows the ruins of a broken city, with a cracked temple in the building marked “Namor.” Dr. Elder is missing, and a SHIELD base in Antartica went off the grid. The camera shows a room full of dead bodies, with Elder standing in the middle with his taser staff, facing the corpse of one of the Negative Zone monsters that was being experimented on. Finally, Fury explains that they still haven’t found Doom’s corpse, and it seems that where ever he is, it’s not on Earth. Fury asks the Four if they are ready to fight these threats, and after a pause, Reed replies “We are.” In the Negative Zone, the ground is littered with rubble from Doom’s castle, as well as Doom’s broken mask lying on the ground. Suddenly, there is whispering. “Vlad Tepes Dracula married Cneajna of Transylvania, begettung Mihnea.” A figure begins to crawls towards the mask, cloaked in robes. “Mihnea married Smarana, and the then Voica.” The figure lifts the mask and slowly stands up. “Voica begat Milos, Ruxandra, and Mircea.” The figure, who’s face is obscured by shadows, slowly places the mask on his face. Dr. Doom stands alone in the Negative Zone, dark shapes flying in the sky above him. “Mircea married Maria Dispina… Richard Richards Richards. I am perfect. I am always perfect.” Doctor Doom then raises his hand, and a beam of lightning strikes down from the sky into his fist.

So, this is it. A few notes: The end set up the sequel, which would feature Namor and Mole Man. At the end, Doctor Doom did not gain traditional powers like he did in the Fox movies, he tapped into the afterlife and gained the power of magic like in the comics. I know Dr. Elder’s mental breakdown seemed to make no sense, but this would be explored in the sequel. Now that this long project’s done, I’m going to take a bit of a break from my blog to write a book: “Into The Fire.” Excelsior!

Fantastic Four Pitch Part Two

My Fantastic Four Pitch Part One, detailing the cast, is finished, so now I’ll talk about some important crew members as well as some other notes.

Director

Matthew Vaughn

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Matthew reinvigorated the dying X-Men franchise with X-Men First Class in 2011, and now they went from doing a movie every few years to three movies coming out in one year. His work on that movie showed he can make adaptations of the comics that really have the feel of a comic book, with colorful costumes and superhero names. The movie had a lighthearted approach while still being intense and action-packed. That, as well as his work on Kick-Ass and Kingsmen, makes me believe that he could be a good director for this movie.

Writer 

Jane Goldman

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Jane Goldman has worked with Matthew Vaughn several times, on several good comic book movies. X-Men: First Class has the tone and feel that I believe Fantastic Four should possess.

Stan Lee Cameo

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Stan Lee will have a cameo as one of the scientists working on the Negative Zone device. I know that that’s vague, but I can’t think of any funny cameo.

J.K. Simmons as Willie Lumpkin 

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Last time, I forgot to include Willie Lumpkin in the movie cast, so I’ll talk about him here. This version of Willie Lumpkin, who is the Fantastic Four’s mailman in the classic comics, will instead be based on the Ultimate Comics, where he is a government agent working for the agency that is in charge of the Baxter Building. In the beginning of the movie, he recruits Reed to the Baxter Building, and in one of the final battles the Fantastic Four saves his life from Doombots. J.K. Simmons is an excellent actor, who resembles the character quite a bit, and who has experience playing figures of authority.

Josh Brolin as Nick Fury

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Nick Fury will appear in the final scenes of the movie, where he will reveal that the agency heading the Baxter Building is SHIELD. Fury tells the Fantastic Four that SHIELD has been monitoring an increase in tidal waves and flooding, and they believe that there is a threat underneath the ocean. The Fantastic Four agree to help. Now, I know that this seems like a rip-off of Iron Man‘s post-credits scene, but it logically answers two problems I’ve had regarding the movie: What agency is Willie Lumpkin representing, and how can I fit Reed’s amazing speech to Nick Fury in Ultimate Extinction into the series? It’s simple. We introduce Nick Fury and SHIELD, though in a lesser capacity then the MCU movies.

That’s all for now. The third, and final part of my Fantastic Four Pitch will talk about the plot and easter eggs. You can also expect a breakdown of the first Arrow Season 4 trailer. Excelsior!

Fantastic Four Pitch Part One

An important fact about me is that I enjoy planning movies. I have written an amateur script for a Batman movie, and I am currently writing a Justice League script. Those are still in development, though, so today I’m going to share something else. A very rough Fantastic Four story pitch, that I’ve been developing for the past few days. I’m pretty busy, so I’m going to post this in multiple parts.

Cast

Eddie Redmayne as Mr. Fantastic/Reed Richards

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In the movie, Reed would be similar to his Ultimate Comics incarnation. He will be a young, introverted prodigy who is recruited by the government after building a teleportation device. I believe Eddie Redmayne could portray him perfectly, as he played Stephen Hawking, a similar character. Eddie Redmayne resembles Mr. Fantastic greatly, and he often plays characters with great intelligence.

Alice Eve as Invisible Woman/Sue Storm

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In the movie, Invisible Woman will be a young, headstrong biologist who befriends Reed when they work on the Teleportation Device together. Alice Eve looks like Sue Storm, and plays a similar role in Star Trek: Into Darkness.

Tom Hardy as The Thing/Ben Grimm

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Ben Grimm plays a major role in the movie. He is first shown as Reed Richard’s childhood friend, who helps him develop the teleporter. Later, he appears as a former soldier, who goes along with Reed into the Negative Zone to provide protection. After he is mutated into the Thing, he is at odds with Reed, which leads to a physical confrontation. Later, he puts aside his differences to work with Reed. Thing will be portrayed with Motion Capture, and will be much bigger than he was in the Tim Story movies. He will look similar to Jamie Bell’s incarnation, but with blue shorts. Tom Hardy is good at playing tough characters, with impressive physicality, such as Bane, but he also plays characters with a sense of humor, like in Inception. I have no doubt he could pull this role off.

Alex Pettyfer as Human Torch/Johnny Storm

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In the movie, Johnny Storm is a hot-headed mechanic who helps build the Teleportation Device. Out of all four members, he most embraces the Superhero life, and adds the “4” to their costumes. Alex Pettyfer looks exactly like a comicbook Johnny Storm, and he has the cocky attitude of Human Torch.

Mads Mikkelsen as Doctor Doom/Victor Von Doom

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Doctor Doom is quite possibly the hardest comicbook character to get right in a movie. Filmmakers consistently try to tie his origin into the Fantastic Four’s origin, give him powers, and sever all ties between him and Latveria. To their defense, Doctor Doom’s comicbook origin is slightly strange, as it involves Reed Richard’s tampering causing Doom’s attempt to access the after-life blow up in his face. Isn’t it a bit coincidental for two of Reed’s major experiments in his young life to go wrong and change the lives of his friends? So, I’ve decided that the best way to avoid that is to completely omit Dr. Doom’s origin. I know that fans of the comics will disagree with that, but really, his real origin just wouldn’t work. So, this is how I would do Doctor Doom: After the Fantastic Four gain powers, develop their costumes, and decide to become superheroes, they decided to go after the evil and mysterious dictator of the European Country of Latveria. Latveria is sealed off from the rest of the world, and the only things America knows about the dictator, Dr. Doom, is that he is ruthless and powerful. Doom’s origin will be briefly mentioned, but his connection to Reed will be removed. It will be revealed that Doom’s mother died, and he was horribly scarred in an attempt to contact her in the afterlife. Comicbook Doom is fueled by his hatred for Reed Richards, but based on my changes to Doom’s origin, that will not be incorporated hear… at first! After Reed foils Doom’s plans at the end of the movie, Doom will grow to hate Reed, and the sequel would have him hate Reed with as much passion as in the comics. So, really, I didn’t change much about Doom. He is still a Latverian dictator, he still has no powers, he was still scarred by a machine that was supposed to contact the after-life, and eventually he hates Reed immensely. All I really changed was removing Reed from Doom’s origin, which I believe is a necessary evil. After playing Hannibal Lecter, I’m sure he could play another epitome of evil. And, as he is Danish, he would avert the trend of British people playing anyone European.

Bill Nighy as Dr. Franklin Storm

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Dr. Franklin Storm is Sue and Johnny’s father, and the scientist who recruits Reed into the project of building the teleportation device. He plays the mentor role, and dies in the final act when he takes a blast from a Doombot meant for his daughter. While he is a more minor role, I’m sure the talented Bill Nighy could portray his intelligence and parental love with ease, and he does somewhat resemble the comicbook version of the charactar.

Amanda Seyfried as Alicia Masters

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Alicia Masters is a minor character in the movie. She has a burgeoning romantic relationsnip with the Thing after his transformation, and she will be shown in most crowd shot or scenes where the public’s reaction to the Fantastic Four is shown. Her role will be expanded on in the sequel, but for now only the start if her relationship is shown. Amanda Seyfried is a good actress who resembles the character, and who possesses interesting eyes. She definitely has enough skill to play a minor role in this movie, and a larger one in the next.

Danny DeVito as Harvey Elder

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Harvey Elder has a minor role in the movie, where he appears as a scientist working in the Baxter Building. He is killed early on when Doctor Doom sends his Doombots to the Baxter Building. Normally I dislike killing off potential villains, but the Fantastic Four has so much great villains such as Galactus, Namor, and the Skrulls, and Mole Man hardly seems necessary to include. However, his Mole People will be referenced as the creatures populating the Negative Zone. Danny DeVito somewhat resembles the Mole Man, and after his performance as the Penguin, I’m sure he could play another deformed and bitter character.

That’s it for today. Next time, I’ll discuss the director, writer, and plot of the movie. Excelsior!

He Died

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Sorry for the long hiatus, I was busy this week. While I was away, I read “Whatever Happened To The Caped Crusader?”, and decided to do a review of the book. I was interested in reading the comic ever since I heard of it, and it did not disappoint. The premise of Batman attending his own funeral with many different versions of his allies and villains was very interesting, and was written well. Catwoman and Alfred’s tales were both interesting takes on the Batman mythology, as were the smaller mentions to Batman’s various deaths. I enjoyed seeing how the Animated Series versions of Harley Quinn and Joker appeared, as well as the ’60s version of Riddler. I personally found the art phenomenal, and though that the drawings of the characters resembling their original or classic incarnations was a nice touch. I am slightly disappointed that we didn’t see Gordon’s eulogy, but I did love Ra’s al Ghul’s story, which seems to be very similar to the storyline used in Arrow for Season 3. The story had many funny in-jokes, such as Robin talking about how Batman was “holy,” or Martha Wayne saying that Death wasn’t a person when one of Neil Gaiman’s earlier works proved the exact opposite, and Catwoman’s costume in her story changing from her original costume to one of her classic looks. The ending, where Martha Wayne reveals herself, was good, though it seemed like it dragged on very long and left little room for the funeral, which I found the best part. Really, pacing was the main problem with the story, and Neil Gaiman should have been given more than just two issues to write the “last Batman story.” The reveal that when Batman dies, he is reborn as a new Batman on an alternate universe is interesting, and should have had more time to be discussed. The main two eulogies, Alfred’s tale and the Golden Age Catwoman’s tale (No pun intended), were both interesting, but I much preferred Alfred’s story. Catwoman’s story really seemed the same as Batman and Catwoman’s normal relationship, except the end, which seemed out of character for Catwoman. However, Alfred’s tale was a strange but well-written story, and had a memorable ending. I was a bit confused by how much of Batman was fake in the story. Alfred reveals that there is no Arkham, but it seems strange that a great detective wouldn’t eventually realize that the asylum he’s sending all his enemies to didn’t exist. I mean, it’s sort of hard to miss an asylum, isn’t it? Other than that, there was no major discrepancies, and I really did like this story. Neil Gaiman’s writing is paralleled only by Andy Kubert’s art, and the various eulogies were well-written and interesting takes of Batman’s mythology, with some fun in-jokes and references.

Verdict

All in all, this was a fantastic comic, with interesting writing and great artwork. I give it a 9/10. Soon, I’ll be doing a review of Green Arrow Year One.

Year One

This week I read Green Arrow: Year One and Batman: Year One. Both were good, and I’ve decided to write reviews for them. I’m starting off with Batman: Year One

Batman: Year One

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Batman: Year One was one of the best comics I’ve read in a while. I enjoyed seeing Batman’s origin, as well as a tougher, younger Jim Gordon than the one we’re all used too. While Frank Miller’s later work is atrocious, this and Dark Knight Returns are amazing comics. Seeing the beginnings of Batman, Gordon, Catwoman, and even Joker (Kind of) was very interesting. The comic was written well, and I believe that this is what the Gotham TV show should have been about, showing a good cop trying to fight crime in a corrupt city, instead of jam-packing every possible reference to the future of Batman and his villains down out throats 24/7. Seeing Gordon as a great fighter was surprising, but done in a good way, but on the other hand, I think it was odd seeing Batman defeated by a 12-year old girl. Even if Batman is only at the start of his career, the years he spent training would make him stronger than he was shown to be. Actually, Batman was my least favorite part of the book, though I did love the scene where he tells a banquet full of the rich and corrupt that none of them are safe. Really, this felt like Gordon’s story more than Batman’s, and I personally believed that is should have been more about Gordon than Batman. No matter how good Batman’s scenes are, Gordon beating up Flass was a great scene, and felt satisfying to me, as I hated Flass and like seeing him get his comeuppance. The fact that this was set in the same universe as Dark Knight Returns was fun for me, as I liked seeing how relationships started after watching them end, and it was interesting to see all the little connections, such as the appearance of the Bat that burst through the window, and Selina Kyle’s career choices. I thought Gordon was written well, and it was interesting seeing his black and white mentality slowly fall apart. At the start, he thought cops were good, because they’re the law, and Batman’s bad because he breaks laws, but he slowly realizes that it isn’t that simple. The cops are greedy, cruel, and violent, and Batman saves old woman and cats. This character development was well-written, and made Gordon a very interesting character, as did his affair with Sarah Essen, which essentially (See what I did there?) represented Gordon’s thoughts on Batman and the GCPD changing, as he saw that good and bad can be quite similar, and easily confused. Knowing that Gordon is married to Sarah Essen in the more recent comics before her death at the hands of the Joker, I was surprised that Gordon ended up still married to Barbara, and with Sarah transferred to a different city. Speaking of Sarah, I now wish that I read this before Dark Knight Returns, as I would have better appreciated the connections, and I would have felt more invested in scenes in DKR like when Sarah is thought by Jim to be dead if I read about the start of their relationship first. I’m planning to read both back to back later today, and I’m surely it will enhance the experience of reading both comics.

Verdict

A well-written and interesting take on the Batman mythology, with a very engaging Jim Gordon and many nods and references the Dark Knight Returns, I give Batman: Year One a 9/10. Later today, or tomorrow, I will write a review of Green Arrow: Year One, another retold origin of a famous hero, similar in some ways to Batman: Year One, but different in many others. For now, though, I’ll leave you with an Excelsior!

DC V. Marvel: Dawn Of Opinions

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The age-old comicbook question, before even “Who would win between Batman and Superman?”, is which of the Big Two are superior. Now, there is arguments for both sides. Both DC and Marvel do good things that the others don’t, and while some non-fans may think “Well, they’re both superhero comics, aren’t they basically the same?”, the two companies have many differences. I’m going to go through the difference, and find out which Titan of the comicbook industry is superior.

Dark Vs. Light

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DC and Marvel clearly have varying tones. While DC is darker, grittier, and generally more realistic, Marvel is lighter, funner, and generally more outlandish. Take the movies, for example. A Messiah Superman who destroys a city and brutally snaps his enemy’s neck is a far cry from a talking, machine gun-weilding raccoon teaming up with a tree and fighting evil in Space. Which one do I think works better? DC. Sometimes I find the silliness of the Marvel Movies/Comics lessens the gravitas. This was made evident in Avengers: Age Of Ultron, when Ultron ruined some pretty cool speeches by forgetting the word “baby.” I would rather not laugh at something I wasn’t supposed to laugh at then not laugh at something that I was supposed to laugh at. My favorite comicbook movies are Dark Knight and Captain America: The Winter Soldier, both of which are darker than most of the other movies in their universe/franchise. However, when I want a fun read, I read Marvel Comics. But the comics I consider the best are the darker ones. My favorite so far is Dark Knight Returns, so that’s saying something.

God Vs. Man

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Another difference between the two companies is how the characters are viewed by the readers. DC superheroes tend to be more like gods, figures to be idolized, and who people should aspire to be like. On the other hand, Marvel characters are more human, more like actual people, with real flaws. Superman and Batman are idols. But no matter how cool Hulk is, no one truly wants to be him. Now, this can go both ways. On the one hand, godlike characters are more awe-inspiring, and make for more intense stories. On the other hand, it makes you empathize more for the characters when you can relate to them. However, in general, I like reading the godlike heroes better. It makes them seem, if not more real, than more amazing. Reading comics is purely about entertainment, and I am not as much entertained when the characters have problems. It makes for better storytelling, but I don’t feel as much awe watching Spider-Man struggle to pay mortgage than when I watch Superman defeat a Living Sun. Now, I know that might seem shallow, only caring about exciting spectacles above actual good writing, but Superman can be written in a good way while still being extremely powerful, as seen in All-Star Superman.

Verdict

All in all, I like DC better. That may just be because I don’t have enough experience with Marvel, or I am biased because of my love for the Dark Knight Trilogy, All-Star Superman, and The Dark Knight Returns, but that’s my opinion. This is all for now. Next time, I’ll probably either post another movie review, or possibly a comic review. Excelsior!

Reading List

So, a bit of boring information.

Comics I Have Currently Read

  • Watchmen
  • The Dark Knight Returns
  • All-Star Superman
  • Superman: Secret Identity
  • Long Halloween
  • President Lex
  • Batman: Year One
  • Green Arrow: Year One
  • Green Lantern/Green Arrow
  • Killing Joke
  • Justice
  • Whatever Happened To The Caped Crusader
  • JLA: Earth 2
  • Court Of Owls
  • City Of Owls
  • Superman: Red Son
  • Forever Evil
  • Superman: Birthright
  • The Flash: Volume 3
  • The Flash: Volume 4
  • The Flash: Rebirth
  • Batman: Hush
  • Justice League Origin
  • Assorted Ultimate Spider-Man, Ultimate Fantastic Four, Ultimate X-Men, Uncanny X-Men, and Spider-Man comics.

Comics I’m Planning On Reading

  • Superman: Earth One
  • Kingdom Come
  • All-Star Batman And Robin The Boy Wonder

Fantastic Four: Is It Fantastic?

Today on Asteroid DC, I am reviewing the universally disliked Fantastic Four movie, directed by Josh Trank, and starring Miles Teller, Kate Mara, Michael B. Jordan, and Jamie Bell. Now, my opinions on this matter may be unpopular, and may lead to me being scorned and ostracized, but so be it. Just to get it into the open: I liked this movie.

Fantastic

Yes, it had some flaws. Yes, it butchered both the original comics and the Ultimate Comics, until it was hard to distinguish whether it was “Fantastic Four” or “Chronicle 2.” But still, I found it to be an enjoyable, exciting movie. The reviewers for the movie pointed out many flaws, and I went into the movie fearing another Batman And Robin-type disaster. And perhaps it was just the fact that the movie was better than I expected that made it seem good, like how I disliked Avengers: Age Of Ultron simply because it wasn’t as good as I hoped. But I disagreed with many of the criticisms against this movie. Let’s go through them point by point.

Too Dark And Gritty

Many people complained that the movie was too dark, gritty, and “Nolanized.” That is true. Except I think that worked well. From the scene of Reed slowly crawling away from the rubble of the machine after the accident, before realizing his leg is still trapped underneath, to Reed in the vents, to Johnny and Ben’s horrific transformations, I enjoyed the Cronenberg-esque body horror.

Strech

Now, I know the dark and gritty nature was nothing like the comics, and I really shouldn’t be defending this change, but really, what’s the alternative? Another one of these?:

Old TIm

I don’t think anyone wants that. Though the movie was dark and depressing, the occasional joke did lighten things up, and the ending established that an ever more unlikely sequel would be lighter and more hopeful. As a comic book fan, I should want the movie to be as close to the comics as possible, and I do. But I don’t think the world is ready for that yet. A talking raccoon is one thing, as that has a clearly comedic nature. But a team of scientists/explorers/superheroes doesn’t have to be silly, and it is harmed when it is.

Pacing

The movie did have pacing issues. The final battle felt like it was two minutes long, and the origin lasts the first half of the movie. But remember, that was the same in the comics. The characters didn’t even wear costumes at first.

Origin

Not only that, but this movie is very clearly supposed to be an origin story, setting up for a sequel that will start with the Four as established heroes. Batman doesn’t appear until roughly fifty-five minutes into Batman Begins, and think about how great that movie’s sequel was. Maybe being Nolanized isn’t such a bad idea. And to tell the truth, I didn’t really notice the pacing issues until the final battle. Maybe it’s because the movie is shorter than the average modern superhero movie, and so I didn’t notice large gaps between the action, and maybe because I truly am interested in the origin of the heroes. I became most interested in the Fantastic Four by reading the Ultimate Comics, which were good for the first six issue then got sour fast, so I am used to drawn out origins for the Fantastic Four.

Relationships

The Fantastic Four are a family. Reed is married to Sue, who is brothers with Johnny, who is friends with Ben, who is best friends with Reed. But that’s not really expressed in the movie. Reed briefly flirts with Sue, who has two conversations with Johnny, who’s needlessly cruel to Ben, who’s friends with Reed. Really, Ben and Reed have the best relationship in the movie, and even they don’t talk much. But again, that can be fixed in the implausible sequel. Really, these people just met each other, and there shouldn’t already be wedding bells in the future.

Wedding Reed

I’m not going to try to defend the lack of a familial relationship anymore, as I was annoyed. But before I move on, I want to remind you that the four aren’t in a scene together until Doom goes to Negative Zone Planet Zero. Really, that’s just annoying.

Doctor Doom: Why The Movie’s Doomed

Doctor Doom is one of the best villains of all time, and the hardest to get right. Whether he’s a power-hungry businessman:

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A metal skinned goat demon:

Goat Doom

Or in the movie’s case, a dirty vagrant who plays video games and hates the sun.

Smelly Doom

I’ve thought long and hard about the movie, and decided almost all my problems are related to Doctor Doom.

  1. He’s an anti-social blogger and video game player.
  2. He’s too friendly to Reed, Johnny, and Ben, instead of being angry at them from the beginning.
  3. He once again has a needless love triangle with Reed and Sue, which serves no point but to make him seem petty and to make Sue seem less important as an individual.
  4. The final battle against him is way too short.
  5. Once again, he has powers, instead of just being an evil ruler with advanced technology, an army of robots, and a metal mask.
  6. He has no clear motivation other than: “The Government’s bad, so I must consume Earth into a portal, so I can live as a hermit in the Negative Zone Planet Zero!”
  7. Finally, and most of all, he looks absolutely terrible.

Doomed from the start

Seriously, his head is an oval, his eyes are giant and expressionless, and he looks like a melted crash test dummy.

Dummy

But there are a few things I like about the character. Tony Kebbell’s a good actor, great as Koba in Dawn Of The Planet Of The Apes, and he did well with what he was given. I liked seeing Doom’s powers in action, even when I wish he didn’t have them in the first place, and controlling the environment and his telekinesis was cool. Finally, while I don’t like Doom being given powers, it seems like it would be weird to give him his comic origin, in which he was scarred in an accident completely unrelated to the accident that gave Reed abilities. That’s my personal opinion on why they often give the supervillains the same powers as the heroes (Iron Monger and Iron Man, Venom and Spider-Man, Zod and Superman). It’s so they can tie the two character’s origins together, without making it seem like a huge coincidence that two people who happen to hate each other both got separate powers in separate ways. It’s hard to do that without it seeming silly, so I understand the decision to give Doom powers in the same way the Fantastic Four got their’s.

Verdict

All in all, I give this movie a 6 out of 10. While it had flaws, I still liked it in general, and felt that many problems could of been fixed in a potential sequel. It wasn’t great, but I liked this move better than three of the X-Men movies, three of the Spider-Man movies, and three of the MCU movies. That’s all for today. Tomorrow, I’ll talk about my comic book knowledge, and what storylines I’ve read. Excelsior!

Welcome!

Hello, I am Wally Valdez, and this is my new site, Asteroid DC. I’m here to share news, developments, reviews, and my thoughts on comics, comicbook movies, and other fandoms. While I know almost no one is ever going to see this blog, I feel it best to put my thoughts out in the open, and I would like to become more active in the comicbook community. If you are reading this, Welcome To Asteroid DC, and I hope you have a good time!